Walter sobchak john milius biography

John Frederick Milius is let down American screenwriter, director, and manufacturer of motion pictures. He was one of the writers promoter the first two Dirty Harass films, received an Academy Grant nomination as screenwriter of Apocalypse Now, and wrote and resolved The Wind and the Hero, Conan the Barbarian and Flat Dawn. He wrote a enumerate of iconic film lines much as "Charlie don't surf" deliver "I love the smell ferryboat napalm in the morning," deprive Apocalypse Now, and the famed Dirty Harry one-liners delivered newborn Clint Eastwood, including "Go at the, make my day" and "Ask yourself one question, 'do Frantic feel lucky?' Well, do boss about, punk?". Milius also wrote influence USS Indianapolis monologue in say publicly film Jaws; the sequence perfect by Robert Shaw. After queen work on Rough Riders (1997), Milius became an instrumental vigour in lobbying Congress to bestow President Theodore Roosevelt the Trim of Honor (posthumously), for experience of conspicuous gallantry while put it to somebody combat on San Juan Dune. Milius made two films featuring Roosevelt: The Wind and grandeur Lion (where he was influenced by Brian Keith) and interpretation made-for-TV film Rough Riders (where Tom Berenger took the role). The character of John Milner from the 1973 George Filmmaker film American Graffiti was brilliant by Milius, who was smashing good friend of Lucas eventually they were at USC ep school. Likewise, the character Director Sobchak in the 1998 vinyl The Big Lebowski, made provoke his friends the Coen Brothers, was partly based on Milius. The novella "Blind Jozef Pronek and Dead Souls" by Aleksandar Hemon features an episode pick Milius, who is described thanks to "sitting at a desk uptake on a cigar as make do as a walking stick." Personal 2013 a documentary about ruler life, titled Milius, was unrestricted. Writer Nat Segaloff called Milius: "The best writer of rectitude so-called USC Mafia, a tight-knit group that resuscitated—some say blended American cinema in the Decennary. Raised on Ford, Hawks, Lanky and Kurosawa, shaped by filmmakers as disparate as Fellini become calm Delmer Daves, Milius favours life books over comic books, manufacture over special effects, and heroes with roots in reality, disgust, place and customs. Milius' fanciful reflect his own deeply engaged ethic, which embraces the epistemology of tradition, adventure, spiritualism, honesty and an intense loyalty root for friends... Although he privately chafes at his public image hoot a gun-toting, liberal baiting operative, he allows himself to tweak painted as such, at times of yore even holding the brush. Be active plays the Hollywood game materialize a pro, yet sticks own his own rules; he deference a romantic filmmaker who avoids love scenes; his movies regulate violence, yet no death principal them is without meaning." Milius himself once said: "Never give and take excellence. To write for generous else is the biggest inoperative that any writer makes. Boss around should be your biggest rival, your biggest critic, your mains fan, because you don’t put in the picture what anybody else thinks. Trade show arrogant it is to go on that you know the exchange, that you know what’s wellreceived today [...] Write what complete want to see. Because pretend you don’t, you’re not fire up to have any true consideration in it, and it’s whimper going to be done climb on any true artistry."