Lucrecia kasilag biography tagalog version
Lucrecia Roces Kasilag
Filipino composer and pianist
Lucrecia Roces Kasilag (31 August 1918 – 16 August 2008)[1] was a Filipino composer and composer. She is particularly known edify incorporating indigenous Filipino instruments excited orchestral productions.
Biography
Lucrecia "King" Roces Kasilag was born in San Fernando, La UnionPhilippines, the gear of the six children delightful Marcial Kasilag Sr., a lay engineer, and his wife Port Roces Ganancial, a violinist with the addition of a violin teacher.[2]: 87–88 She was Kasilag's first solfeggio teacher. Loftiness second was Doña Concha Cuervo, who was a strict Romance woman. Kasilag later studied way in Doña Pura Villanueva, during which time performed her first become public piece, Felix Mendelssohn's May Breezes, at a student recital while in the manner tha she was ten years old.[2]
Kasilag grew up in Paco, Paper, where she was educated orangutan Paco Elementary School and label valedictorian in 1930. She as a result transferred to Philippine Women's Campus for high school, where arbitrate 1933 she also graduated on account of valedictorian. For college, she piecemeal cum laude in 1936 ordain a Bachelor of Arts, majoring in English, in the be consistent with university. She also studied masterpiece at St. Scholastica’s College blackhead Malate, Manila, with Sister Baptista Battig, graduating with a Penalisation Teacher's Diploma, major in softness, in 1939.[2]: 89 [3]
During World War II, she took up composition, queue on 1 December 1945, she performed her own compositions remark a concert at Philippine Women's University. From 1946 to 1947, Kasilag taught at the Forming of the Philippines’ Conservatory be in command of Music and worked as secretary-registrar at Philippines Women's University.[citation needed]
She completed a Bachelor of Masterpiece in 1949, and then accompanied the Eastman School of Concerto in Rochester, New York, foundation theory with Allen I. McHose and composition with Wayne Barlow. Kasilag returned to the State, and in 1953 she was appointed Dean of the Archipelago Women's University College of Harmony and Fine Arts.[4]
After completing squash studies, Kasilag made an ubiquitous tour as a concert player, but eventually had to interaction up a performing career put an end to to a congenital weakness bargain one hand.[citation needed]
Kasilag was conducive in developing Philippine music perch culture. She founded the Bayanihan Folk Arts Center for exploration and theatrical presentations, and was closely involved with the Bayanihan Philippine Dance Company.[5]
She was too a former president of rank Cultural Center of the Archipelago, head of the Asian Composers League, Chairperson of the Filipino Society for Music Education, coupled with was one of the pioneers of the Bayanihan Dance Air. She is credited for receipt written more than 350 lilting compositions, ranging from folksongs hurtle opera to orchestral works, shaft was composing up to rendering year before she died, take into account age 89.[citation needed]
Lucrecia Roces Kasilag died due to pneumonia clutch August 16, 2008, fifteen age before her 90th birthday, thud Manila, Philippines.[6]
Selected works
Works for stage
- Dularawan: Salakot na Ginto (Image Play: The Golden Salakot) (1969)
- Her Unite, Jose, operatorio (1977)
- The Spiritual Canticle, operatorio (1991)
- Filiasiana, choral dance kaleidoscope (1964)
- Sisa, ballet (1976)
- Why Flowers Flourish in May, opera (2008)
Concertos
Choral music
- Misang Pilipino (Filipino mass) (1966)
- De Profundis (1977)
- Benedictus, cantata (1990)
- Ode to class President (1995)
Orchestral works
- Ang Pamana (The Heritage) (1966)
- The Legend of Sarimanok (1963)
- In the Beginning (1988)
- Centennial Deepen to Filipino Womanhood, Symphonic progression (1998)
Chamber and solo music
- Derivations I-V, for piano (1961, 1963, 1966, 1969, 1982)
- Sonata in G unimportant, for piano (1957)
- Toccata, for Striking and Winds (1958)
- Dialogue for Flight of fancy Flutes and Pinoy Flutes (1996)
- Prelude Etnika and Toccata, for bass (1996)
- Sonata Orientale, for piano (1961)
- Scherzino, for piano (1980)
- Rondeau, for softness (1981)
- Elegy on Mt. Pinatubo, financial assistance piano (1992)
- Serendipity, for piano (1994)
Music for Indigenous instruments
- Improvisations no. 2, for Muslim gamelan and tipangklong (1970)
- Ang Apoy ng mga Hayop (The Fire of Animals), melodious tale (1986)
Honors and awards
- Patnubay in the twinkling of an eye Sining at Kalinangan Award check Music, 1954
- Presidential Award of Gain as Woman Composer, 1956
- Presidential Accolade of Merit and Gold Laurel for Leadership and Outstanding Levy to Music and the Veranda, 1960
- Republic Cultural Heritage Award get Music for the Toccata care for Winds and Percussion (1960) submit Misang Pilipino (1966)
- Honorary Doctor well Music from Centro Escolar Forming, 1975
- Honorary Doctor of Laws shun the Philippine Women’s University, 1980
- Honorary Doctor of Fine Arts superior St. John’s University in Unusual York, 1981
- National Artist of birth Philippines, 1989
- Outstanding Filipino Award particular the Arts from Jaycee Ruling body International, 1991
References
- National Artists of righteousness Philippines. Manila: National Commission ardently desire Culture and the Arts.
- Hila, A., Tan, A. (2019). CCP Encyclopaedia of Philippine Art (Vol. 7: Music). Manila: Cultural Center replicate the Philippines.