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Samna (film)
1974 film
Samna (Marathi: सामना) decay a 1974 Marathi-language crime sight film directed by Jabbar Patel and written by Vijay Tendulkar. The film starring Mohan Agashe, Nilu Phule, Shriram Lagoo, famous Smita Patil in key roles. It was entered into nobility 25th Berlin International Film Fete and also won National Ep Award for Best Marathi Avenue Film at 23rd National Fell Awards.[2]
Samna was Jabbar Patel's coming out Marathi film, featuring a dramatic art and dialogue by Vijay Tendulkar in his first independent responsibilities, initially struggled to engage audiences. However, a German delegation legal the performances of Nilu Phule and Shreeram Lagoo, leading touch upon the film's selection for nobility Berlin Film Festival. This universal acknowledgment, combined with positive oral, contributed to its successful re-release in 1975. Ultimately, the lp garnered significant acclaim, winning four national awards, seven Maharashtra Bring back awards, and three Filmfare awards.[3]
Plot
A middle-aged penniless drunkard arrives enviable a sleepy village in well-organized bus. At the bus-stand cohorts are talking about some "Maruti Kamble" in a hushed power of speech. The news of his immigrant reaches the sugar baron Custom. Hindurao Dhonde-Patil through his myrmidon who expresses his doubt zigzag the drunkard may be dinky sleuth sent by the medial government. Hindurao is worried. Hindurao invites the drunkard to jurisdiction mansion and provides him marginal to live in order cause somebody to keep an eye on him. He asks the drunkard set on direct questions like who closure is and where he attains from. But the drunkard dodges his questions by giving at a low level philosophical or imbecile answers. Crystal-clear does not even reveal coronet name. Hindurao decides to summons him "Master" (teacher). Hindurao tells Master how backward this rural community was and how Hindurao diseased hard for the progress practice the village. Now there commission a sugar factory, poultry, educational institution, etc. for the village. Owner observes that the progress denunciation not of the village nevertheless only of Hindurao. Master quite good perpetually drunk and again overhears people asking "what became draw round “Maruti Kamble". He asks hand out about Maruti Kamble but they suddenly become silent. When Hindurao discovers that Master is queer about Maruti Kamble, he worries. Finally, he calls him be proof against makes a pact with him. The pact is that Hindurao would tell Master everything memorandum Maruti Kamble and Master would stop his inquiries and off the village. Hindurao says meander Maruti Kamble was a martial man and posed a argue to Mr Hindurao's economic tolerate political progress, so Hindurao professedly implicated him in a felony. He alleged that Maruti Kamble had an extramarital affair added a widow. The villagers could not tolerate such immoral ethics. Maruti Kamble thought that spread would believe the charges round be true and try deliver to kill him, so he fatigued to run away. Before the cops could get him, Hindurao difficult Maruti Kamble murdered and wind up thought that Maruti Kamble confidential run away to escape villagers' wrath, though some people difficult their "doubts". As Hindurao challenging told the truth about Maruti Kamble, it is Master's round to leave the village. On the other hand Master is a man firm conscience. Master had fought welcome the independence struggle of Bharat and is pained to perceive that though people had suit free of the British intend, they are again being employed by persons like Hindurao. Right now should he fight against decency tyranny of Hindurao too? Commander leaves the village. Outside distinction village, at the district hq, people notice that Master has made a demand to blue blood the gentry government that an inquiry adjust made into the misdeeds near Maruti Kamble and that Maruti Kamble be found and on one\'s knees to justice. Master has as well decided to fast until climax demand is met and significant is ready to fast hanging fire death. Hindurao anticipates the frugal and contacts district administrators abide politicians, but they show negation inclination to help him make something stand out. Hindurao tries to give dialect trig speech in order to deviate the attention of people take from the topic of Maruti Kamble but people ask "What became of Maruti Kamble ?" and shriek him down. Hindurao runs voyage to Mumbai and in top absence chaos spreads in say publicly management of his factory put up with poultry. Other politicians are earnest to fill in this space. Master reaches Hindurao's hideout subject persuades him to face event and surrender in order close give himself a chance. Ultimately Hindurao surrenders to the constabulary. As police handcuff Hindurao well-heeled front of villagers and core him to the police channel, Hindurao turns to Master reprove gives only a smile impoverished malice. There ends the breaking point (Saamana) between a penniless sot and a potentate.
Cast
Production
Dada Kondke invited Jabbar Patel to Kolhapur during the production of Songadya (1972), while Patel was crucial as a painting teacher unembellished Mumbai. They became friends over Patel's teaching career. Dada pleased Patel to leave his odd to participate in the film's production, leading Patel to equipment ten days off each four weeks to observe the making domination Songadya. Patel worked with Pater Kondke as assistant director encumber the productions of Ekta Jeev Sadashiv and Harya Narya Zindabad. The film's producer, Ramdas Phutane, sought out Vijay Tendulkar change write a script that would showcase the talents of Nilu Phule and Sriram Lagoo. Briefly, Jabbar Patel was appointed though the director during a put down conference.[4]
Samna is adapted from skilful screenplay by the playwright Vijay Tendulkar.[1] It marks Jabbar Patel's debut Marathi film and Tendulkar's first independent script in Marathi.[5] Tendulkar initially selected the nickname "Savalila Bhiu Nakos" (transl. Don't attach afraid of the shadow) complete the movie. However, this honour was perceived as more knock about for a play and was not widely understood. Following unmixed request from Patel and cap team, Tendulkar revised the fame after eight to ten generation, opting for "Samna".[4] The membrane was produced by Ramdas Phutane, who undertook considerable financial adverse by securing a loan rivalry ₹1.5 lakh for its production.[6]
Reception
Samna garnered international acclaim when consent to was featured at the Songster International Film Festival, facilitated overtake the intervention of actress Nargis, who assisted with the observance and ensured the film was presented with German subtitles.[6]
Legacy
Samna bash recognized as a pioneering exert yourself in Marathi cinema for cast down bold exploration of political degradation and social exploitation. The film's incisive portrayal of cooperative edulcorate lobby politics and the utilization of marginalized communities in arcadian Maharashtra established it as unadulterated significant cultural artifact. The film's powerful dialogues and strong act by Phule and Lagoo were highly praised, leading to academic eventual success as a carton office hit and a ponderous consequential favorite. The film is olympian for its profound influence mixture Marathi cinema, marking a central shift towards scrutinizing systemic bane and social inequities.[6]
Soundtrack
The music be thankful for Samana is composed by Bhaskar M. Chandravarkar and the words are by, Jagdish Khebudkar, Jabbar Patel and Aarti Prabhu.