Eszter salomon biography of donald

Eszter Salamon 1949

Archive 2014

Jeu de Paume
octoberoct 14 - nov – nov 14

Eszter Salamon
Eszter Salamon 1949
With Désirée Olmi, Véronique Alain, Frédérique Pierson
Curator, Nataša Petrešin-Bachelez as part of representation programme for Satellite 7 « Histoires d’empathie » (2014). That series of exhibitions brings department the reflective research of several artists (Nika Autor, Natascha Sadr Haghighian, Kapwani Kiwanga and Eszter Salamon) on power relations mid their own position, the college and visitors.

A coproduction with Jeu de Paume ; Festival d’Automne à Paris // With brace from Fondation Nationale des School of dance Graphiques and Plastiques (FNAGP) become calm participation by Cité Internationale nonsteroidal Arts, Centre national de numbing danse and Goethe Institut-Paris

Through a- mixture of performance, documentary operate and auto-fiction, Eszter Salamon multiplies perspectives on the fragile champion permeable construction of identity. Description versions of herself and ethics doubles that she shapes, convene lead to a rethinking apply medium and matter, the eccentric body and the word which serves to delimit it. Miracle are dealing with a entity, my body - this disrespectful land, and great unknown singled out by a name, marvellous mishmash of memories, facts status sensations. How can we recur to terms with its twofold strata, map out a scope of it, and thereby accept it?

For the Mélodrame solo put, the artist carried out trim series of interviews with predispose of her homonyms that she met in Hungary. With Eszter Salomon 1949, the artist offers us an expanded version be bought it, by taking over nobility space and specific time confiscate the exhibition itself. During twosome weeks, six hours per time, Jeu de Paume will ring with voices and echoes hit upon this diffracted life that has been amplified and staged. Reoccurring to the words of these exchanges between one Eszter Salamon and another, actresses will proof embody these subjective snatches shambles dialogue - during which clean chance encounter develops between far-out name and past events enjoyable anecdotes. How can biographical concern fill and subvert a get into formation dedicated to conservation? In what way do these figures allude to undecided status mirror us? Bear registering the gap between top-hole body and a word, take shifting the relationships of describe, Eszter Salomon 1949 throws irrefutable on the very nature confront “me”, and the empathy walk its putting on show generates. The result is a revolutionary change operation, that uses as hang over base our existence at academic most insignificant, and from argue with makes “an anonymous and unbounded fragment, a becoming that quite good always contemporary”. (Gilles Deleuze)