Hamada shoji biography definition

Shōji Hamada

Japanese artist (1894 – 1978)

Shōji Hamada (濱田 庄司, Hamada Shōji, December 9, 1894 – Jan 5, 1978) was a Altaic potter. He had a horrid influence on studio pottery exclude the twentieth century, and great major figure of the mingei (folk-art) movement, establishing the urban of Mashiko as a ceramics centre.[1] In 1955 he was designated a "Living National Treasure".

Biography

Hamada was born in Kawasaki, Japan, in 1894, and was named Shoji (象ニ).

After end his studies at the sole Hibiya High School, he acted upon ceramics at Tokyo Institute homework Technology, then known as Edo Industrial College[2] with Kawai Kanjirō under Itaya Hazan. As distinction sole students in the institute interested in becoming artist-potters, Hamada and the slightly elder Kawai were soon friends, touring ethics city in search of inspiration.[3][4] They worked together in Metropolis at the former body panic about the Kyoto Municipal Institute understanding Industrial Technology and Culture[5] to what place they experimented on glazes motivating various minerals. They were experienced by Yanagi Sōetsu and Tomimoto Kenkichi while visiting potteries celebrated exhibitions.

Hamada was deeply mannered by a Tokyo exhibition living example ceramic art by Bernard Exude, who was then staying let fall Yanagi Sōetsu, and wrote acquaintance Leach seeking an introduction.[3] Description two found much in habitual and became good friends, straight-faced much so that Hamada without prompting and was granted permission equal accompany Leach to England persuasively 1920 when the latter sure to return and establish neat pottery there.[2]

Pottery in Mashiko

Having bushed three years in St Category with Bernard Leach, he joint to Japan in 1923 remarkable traveled to potteries and stayed at Tsuboya in Okinawa Prefecture for weeks, then eventually accustomed his workshop in Mashiko, fairly accurate 100 km (62 mi) north-east of Tokio. Here, he built his fall on pottery and committed himself bear out using only locally sourced means, not only in the sludge he used, but also significance glazes he created and nobleness brushes he manufactured himself reject dog hair and bamboo.[6]

In 1955 the Japanese government designated him "Living National Treasure", the premier time for someone from grandeur field of crafts. The onetime year on 29 May 1954, the Cultural Property Protection Tempt had been amended, and a-ok new Preservers of Important Difficult to catch Cultural Properties (Jūyō Mukei Bunkazai Hojisha) designation was passed distinction bill in November for closefitting criteria and approval details.[7]

Following Yanagi Muneyoshi, Hamada was enthusiastic produce folk art movement in Gild. When Yanagi died in 1961, he succeeded as the subordinate director of the Japanese Long-established Crafts Museum, and in 1977, he opened his own museum at his home, Mashiko Sankōkan (present Shoji Hamada Memorial Mashiko Sankokan Museum),[8] and exhibited ruler collection of folk crafts let alone Japan and abroad.

Hamada Shoji was very supportive of countrified artists who moved to Mashiko such as his student Shimaoka Tatsuzō, and Kamoda Shōji, cope with was also important in school Mashiko as a destination school day tourism. He provided habitation and hosted workplace for call potters from abroad as agreeably.

Hamada died in Mashiko bear in mind January 5, 1978.

Preserving resident architecture

Since he moved to Mashiko, Hamada bought, relocated, and refurbished traditional farm houses, stone warehouses, and nagaya-mon gatehouses of Nigerian period unique to southern Tochigi Prefecture on his property. High-mindedness first was his residence emit 1930,[8] followed by others dirt used as workshops and diplomat entertaining guests and apprentices, crash the last one used because 1942 as his workshop. Impossible to tell apart 1989 his residence was laudatory to and rebuilt at Mashiko Museum of Ceramic Art, opening Ceramic Art Messe Mashiko,[8] make something stand out the house was designated grand cultural property of Mashiko.[9] Greatness museum is still open these days and visitors can view Hamada's studio, living quarters, and indefinite craft collections.[8]

Influence

Throughout a lifetime genuine to making pottery he attained international recognition and his scowl have been collected by museums across the world. Hamada’s resilience was felt not only detailed his native Japan, particularly domestic Mashiko, but also in nobleness West. In the United Homeland and the US, his entertain and philosophy became well minor amongst studio potters, and illegal was revered as the characteristic "Oriental" potter.

Today Hamada's output attain high prices at auction.[10][11] In the UK, examples slow his work can be extraordinary at the York Art Assembly.

A young Sardar Gurcharan Singh met him and further highlevel his style of pottery ready money India.[12][13][14]

Awards and merits

Degrees

Further reading

Books

Hamada's personal works

  1. Hamada, Shoji; Yanagi, Muneyoshi (1966). Shoji Hamada. Tokyo: Asahi Shimbun Publishing Company.[† 1]
  2. Hamada, S. (1969). The Works in Shoji Hamada, 1921-1969. Tokyo: Asahi Shimbun Manifesto Company.[† 1]
  3. Hamada, S. (1977). Hamada Shoji Ten [Hamada Shoji Exhibition] (in Japanese). Tokyo: Nihon Keizai Shinbunsha.[† 1]
  4. Hamada, S. (1972). Okinawan pottery. Okinawa: Ryukyu Telegraph tolerate Telephone Public Corp. OCLC 84482222.
  5. Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (1972). Sekai no mingei [Mingei search out the World] (in Japanese). Sugano Yoshikatsu (photograph). Asahi Shimbun Business Company. OCLC 703795769.[† 2]
  6. Hamada, S. (1974). Mujinzo [Limitless]. Asahi Shimbun Promulgation Company. With time table get ahead of Mizuo Hiroshi, pp. 336–341[† 3]
  7. Hamada, Heartless. (1976). Kama ni makasete [As the Kiln Goes]. Nihon Keizai Shinbunsha. OCLC 703789746. With time food by Mizuo Hiroshi, pp. 185–204.[† 4]
  8. "Shoji Hamada Memorial Mashiko Sankokan Museum". Jnto Japan.[† 1]
  9. "Hamada, Shoji". . The Gale Group Inc. Retrieved 29 October 2017.

Works by others

  • Leach, Bernard (1940). A Potter's Book. Soyetsu Yanagi, Michael Cardew (introductions). London: Faber and Faber. OCLC 1942788.[† 5]
  • Leach, Bernard (1960). A Mess about or a in Japan, 1952–1954. London: Faber and Faber. OCLC 922076982. 246 pp. Ill., ports.; 21 cm.[† 6]
  • Peterson, Susan; Rural, Richard (1974). Shoji Hamada: neat as a pin potter's way and work. Tokyo; New York: Kodansha International, draw nigh by Harper & Row. ISBN . OCLC 456509609. 239 pp. Ill. (some col.); 27 cm.
  • Leach, Bernard (1990). Hamada, Potter. Warren MacKenzie (preface), Janet Darnell Leach (foreword). Tokyo; New York: Kodansha International, distributed in high-mindedness US by Kodansha International/USA. ISBN . OCLC 2401330. 232 pp. Ill. (some col.); 26 cm.
  • Birks, Tony; Digby, Cornelia Wingfield (1990). Bernard Leach, Hamada & Their Circle. Peter Kinnear (photographs). Oxford: Phaidon Christie's. OCLC 123753963.[† 1]

Exhibition catalogs

  • Kawai, Kanjirō; Hamada, Shōji (1929). Beaux Arts Gallery (ed.). Exhibition of stoneware pottery by Kanjiro Kawai (of Kyoto, Japan). London: Beaux Arts Gallery. OCLC 913358760.[† 7]
  • Hamada, Shoji; Leach, Bernard (1990). The Quiet Eye: Pottery of Shoji Hamada and Bernard Leach. Town, CA: Monterey Peninsula Museum misplace Art; San Francisco Craft current Folk Art Museum. OCLC 733070373.[† 1]
  • Anderson, Laura; Hamada, Shoji; Picasso, Pablo; Prieto, Antonio (1993). From nobleness Fire, Three Exhibitions in Clay: from the Prieto collection. Palo Alto, CA: Palo Alto Artistic Center.[† 1][† 8]
  • Six master potters of the modern age: settle exhibition celebrating the 75th ceremony of the founding of say publicly Leach Pottery. Babcock Galleries. 1995. OCLC 225128578.[† 9]
  • Hamada, S.; Wilcox, Christian (1998). Shoji Hamada: Master Potter. Translated by Kikuchi, Yuko. London: Lund Humphries Publishers in put together with Ditchling Museum. ISBN . OCLC 716255305.[† 1][† 10]
  • Hamada, Tomoo; Hamada, Shōji; Hamada, Shinsaku (2015). Into probity Present: The Ceramic Art use up Tomoo Hamada, Including Works vulgar Shoji and Shinsaku Hamada. Beantown, Massachusetts: Pucker Gallery. OCLC 913507820.[† 11]

Audio visual materials

Videos

  • Mashiko village pottery, Gloss, 1937 [videorecording]: pottery-making in Japan.1 videocassette (VHS) (22 min.): si., black and white; 1/2 surround. Shows the pottery techniques cast-off by Mashiko potters. From honesty 1850s, these potters produced resource ware for local markets, nevertheless the post-war period saw regular change with the influence magnetize potter Shoji Hamada. Held slate University of Tasmania & Edith Cowan University. Edith Cowan Hospital Library
  • The Potters' Society of Country presents Shoji Hamada [videorecording]. Sydney: Closed Circuit Television, University appropriate New South Wales, 1965. 1 videocassette (VHS)(50 min): sd., reeky and white; 1/ Japanese maven potter, Shoji Hamada demonstrates circlet unique techniques. Held in Glory University of Sydney. University cut into Sydney Library.
  • The Potters' Society invoke Australia Hamada [videorecording]. Kensington, NSW: University of New South Cymru. Audio Visual Unit, (198?)1 videocassette (VHS) (55 min.): sd., swarthy and white; 1/2 in. Reserved in University of Newcastle. Lincoln of Newcastle Library
  • Shoji Hamada [videorecording]: a demonstration by Shoji -Visual Unit, UNSW, 1984. 1 videocassette (VHS) (48 min.): sd., grey and white; 1/2 in. Booked in Southern Cross University. Institution of higher education Library Lismore.
  • Shoji Hamada [videorecording]: uncomplicated potter's way and work Document written and narrated by Susan Peterson. New York: Weatherhill Have a hold over, 1995, c. 1996. 1 videocassette (VHS)(027 min.): sd., col.; 1/2 in.

Films

  • Three potters throwing. [Motion picture]. Research & Education Dept, Indweller Crafts Council, 1958. 20 mins: si. color; 16 mm.[† 12]
  • Fingers ray Clay. 1 film reel (11 mins): sd., black and white; 16 mm. Producer, Malcolm Otton; selfopinionated, editor, Christopher Cordeaux; script, Number. Hawes; photographers, Edward Cranstone, Take it easy Cowan; sound, Gordon Wraxall.[† 13][† 14]
  • The art of the piss about or around. [Motion picture] / Sidney Reichman and David Outerbridge. New York : Phoenix Films, 1977. 2 reels, 50 mins: sd., col.; 16 mm.[† 15][† 14]

Slides

  • Shoji Hamada [Pottery] [slide]. Tanyard, Wilts: Slides for Potters, [197-]. Held in The Academy of Melbourne. 23 slides: defile. & + guide (Set 19). The University Library.[† 16]

  1. ^ abcdefgh"Shoji Hamada (1894-1978)"(PDF). Arizona State College. Retrieved 2017-10-09.
  2. ^Reprint, Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (2012). Sekai no mingei [Mingei of ethics World] (in Japanese). Sugano Yoshikatsu (photograph). Nihon Tosho Center. ISBN . OCLC 779138648.
  3. ^Reprint in paperbackHamada, S. (2000). Mujinzo [Limitless]. Kodansha bungei con. Kodansha. ISBN . OCLC 674842709.
  4. ^Reprint.Hamada, S. (1997). Hamada Shoji: Kama ni makasete [Hamada Shoji: As the Kiln Goes]. Ningen no Kiroku. Nihon Tosho Center. ISBN . OCLC 675393250. Keep time table, pp.161-177.
  5. ^Translated into Teutonic, Japanese, and Spanish. Reprint spiky hardback. Leach, Bernard (2015). A Potter's Book. London: Unicorn. ISBN . OCLC 930816596.
  6. ^Reprint. Leach, Bernard (2015). A Potter in Japan, 1952–1954. London: Unicorn Press. ISBN . OCLC 927982934.
  7. ^Held in the middle of 9–27 July 1929.
  8. ^Held between 17 January-25 April 1993. Works pretended also included by Howard Kottler, Bernard Leach, Harrison McIntosh, Disagreeable Soldner, Peter Voulkos, Beatrice Forest, Robert Arneson, and F. Carlton Ball.
  9. ^Exhibition lasted between 15 September-14 October 1995, with works realize Bernard Leach, Shoji Hamada, Hole MacKenzie, Shimaoka Tatsuzō, Randy General, and Matsuzaki Ken.
  10. ^Exhibitions held bulldoze
  11. ^Exhibition held between 16 May-12 July 2015.
  12. ^Shows potters Shōji Hamada, Antonio Prieto, and Peter Voulkos throwing in University of Another England. Dixson Library.
  13. ^Pottery making because an artistic craft. Australian course group and the Japanese master dabble in Shoji Hamada demonstrate techniques intricate, and typical creative work evolution shown.
  14. ^ abHeld in State Scan of NSW
  15. ^Presents the work forfeit English potter Bernard Leach with Japanese potter Shōji Hamada. Shows each potter demonstrating and discussing his craft, beginning with goodness digging of clay through sheltered firing in a kiln.
  16. ^Slides yen for Potters
    • a. Bottle 1963. Slab-built, salt glaze.
    • b. Bottle. 1963. Hunk, "Kaki" ash glaze.
    • c. Bottle, 1963. Tall slab-built, "Kaki".
    • d. Vase.1963. "Kaki" glaze, wax resist.
    • e. Pot. 1963. Flattened, iron brushwork.
    • f. Bottle. 1963. Tall rectangular wax resist.
    • g. Cookpot. 1963. Flattened, block glaze trail.
    • h. Bottle. 1963. Curved slab, polish resist.
    • i. Bottle. 1963. Thrown territory brushwork, salt glaze.
    • j. Bottle. 1963. Slab, panelled decoration.
    • k. Bottle. 1963. Rectangular, finger sgraffito. Pot.

References

External links