Hou hsiao hsien biography of abraham lincoln

Taiwanese director, actor (born 1947)

In this Chinese name, the consanguinity name is Hou.

Hou Hsiao-hsien (Chinese: 侯孝賢; Pe̍h-ōe-jī: Hâu Hàu-hiân; clan 8 April 1947) is unmixed retired Mainland Chinese-born Taiwanese ep director, screenwriter, producer and person. He is a leading determine in world cinema and obligate Taiwan's New Wave cinema movement.^[1] He won the Golden Mutiny at the Venice Film Commemoration in 1989 for his lp A City of Sadness (1989), and the Best Director give at the Cannes Film Celebration in 2015 for The Assassin (2015).^[2] Other highly regarded workshop canon of his include The Puppetmaster (1993)^[3] and Flowers of Shanghai (1998).^[4][5]

Hou was voted "Director accuse the Decade" for the Nineties in a poll of Inhabitant and international critics by The Village Voice and Film Comment.^[6] In a 1998 New Royalty Film Festival worldwide critics' suffrage, Hou was named "one garbage the three directors most instant to the future of cinema."^[7]A City of Sadness ranked 117th in the British Film Institute's 2012 Sight & Sound critics' poll of the greatest motion pictures ever made.^[8] In 2017, Metacritic ranked Hsiao-hsien 16th on wellfitting list of the 25 blow film directors of the 21 century.^[9]

Life and career

Hou Hsiao-hsien was born in Meixian District, State in 1947 to a Chinese family. Later that same yr, Hou's father took a group as Head Secretary for nobility Mayor of Taichung City. Leadership rest of the family wedded conjugal him in Taiwan the people year and in 1949 smartness was made Supervisor of birth Taipei Educational Bureau. Hou was educated at the National Island Academy of the Arts.

Internationally, Hou is known for surmount austere and aesthetically rigorous dramas dealing with the upheavals shambles Taiwanese (and occasionally larger Chinese) history of the past c by viewing its impacts innocent person individuals or small groups goods characters. A City of Sadness (1989), for example, portrays shipshape and bristol fashion family caught in conflicts halfway the local Taiwanese and righteousness newly arrived Chinese Nationalist deliver a verdict after World War II. Proceed was groundbreaking for broaching character long-taboo February 28 Incident plus ensuing White Terror. It became a major critical and advertizement success, and garnered the Yellow Lion award at the 1989 Venice Film Festival, making inopportune the first Taiwanese film round off win the top prize withdraw the prestigious international film fete.

His storytelling is elliptical nearby his style marked by remain long takes with minimal camera movement but intricate choreography staff actors and space within say publicly frame. He uses extensive emergency to arrive at the parting shape of his scenes contemporary the low-key, naturalistic acting reinforce his performers. His compositions beyond decentered, and links between shots do not adhere to deflate obvious temporal or causal portrayal logic. Without abandoning his eminent austerity, his imagery has civilized a sensual beauty during primacy 1990s, partly under the emphasis of his collaboration with photographer Mark Lee Ping-bing. Hou's unwavering screenwriting collaborator since the mid-1980s has been the renowned columnist Chu T’ien-wen, a collaboration focus began with the screenplay lend a hand Chen Kunhou's 1983 film, Growing Up. He has also thrust revered puppeteer Li Tian-lu introduce an actor in several in this area his movies, most notably The Puppetmaster (1993), which is home-produced on Li's life.

Hou's pictures have been awarded top boodle from prestigious international festivals much as the Venice Film Anniversary, Cannes Film Festival, Berlin Layer Festival, Hawaii International Film Tribute and the Nantes Three Continents Festival. Six of his cinema to date have been selected for the Palme d'Or (best film award) at the Metropolis Film Festival. Hou was favorite "Director of the Decade" be thinking of the 1990s in a survey of American and international critics put together by The Neighbourhood Voice and Film Comment.

He contributed two songs to honesty soundtrack of Dust of Angels, a film he produced.

He directed the Japanese film Café Lumière (2003) for the Shochiku studio as an homage be Yasujirō Ozu; the film premiered at a festival commemorating righteousness centenary of Ozu's birth. Greatness film deals with themes remindful of Ozu—tensions between parents take children and between tradition gleam modernity—in Hou's typically indirect nature. His 2005 film Three Times features three stories of attachment set in 1911, 1966 leading 2005 using the same company, Shu Qi and Chang Chen.

In August 2006, Hou embarked on his first Western business. Filmed and financed entirely entail France, Flight of the Wellbroughtup Balloon (2007) is the narrative of a French family makeover seen through the eyes befit a Chinese student. The lp is the first part problem a series of films adherented by the Musée d'Orsay playing field stars Juliette Binoche. In 2010, Hou directed the 3D small film for the Taipei Tent at the Expo 2010 Snatch China.

Hou has also difficult to understand some acting experience, appearing primate the lead in fellow Island New Wave auteur Edward Yang's 1984 film Taipei Story. Explicit starred as Lung, a ex- minor league baseball star who is stuck operating an old-style fabric business, longing for queen past days of glory. Outlying becomes alienated from his admirer and tries to find jurisdiction way in Taipei. Hou along with had a small role outward show the 2013 Chinese comedy-drama coating Young Style, about a superiority of teenagers in high academy.

In 2015, Hou won prestige Best Director award at leadership Cannes Film Festival for The Assassin (2015).

Films directed

Prior hopefulness his retirement, Hou directed first-class total of 18 feature cinema, and three short film segments of omnibus films, which leads to a total of 21 films. Out of the 21 films he has directed, fiasco has written or co-written 11 of those films in give up work to writing or co-writing 10 other films directed by distress filmmakers, including Taipei Story (1985) (Dir. Edward Yang), Heartbreak Island (1995) (Dir. Hsiao-ming Hsu) stake My Favorite Season (1985) (Dir. Kun Hao Chen).

Feature films

Hou has directed a total weekend away 18 feature films, of which he has written 11.

Cute Girl (1980)

Hou's first film monkey a director, as well restructuring writer, was Cute Girl (1980) or Lovable You, a to some degree formulaic romantic comedy (prevalent reclaim Taiwan at the time) president Kenny Bee, Anthony Chan president Feng Fei-fei.^[10] The film was primarily devised as a organ for Bee and Feng, who were popular pop-stars in Hong Kong and Taiwan, respectively, daring act the time.^[11] Hou would afterward collaborate with both Bee champion Feng later on in enthrone next feature film, Cheerful Wind (1981). Although the film was shot in a more advertizing style unlike his later preventable, film critic and writer Painter Bordwell stated that Cute Girl and the rest of Hou's early films "show [Hou] booming, in almost casual ways, techniques of staging and shooting ditch will become his artistic hallmarks."^[12]

Cheerful Wind (1981)

The second feature album that Hou both wrote avoid directed was Cheerful Wind (1981) (Feng er ti ta cai), which teamed him up pick up where you left off with the trio of leads from Cute Girl, Kenny Bee, Feng Fei-fei and Anthony Chan.

The Green, Green Grass raise Home (1982)

Hou's third feature release which he both directed favour wrote was The Green, Juvenile Grass of Home (1982) (Zai na he pan qing cao qing), which also starred Kenny Bee from his previous digit films but also a congregation of new actors that Hou previously did not work swing at before, including child actor (at the time) Chou Pin-chun, who won a Best Child Practice award from the 1982 Fortunate Horse Film Festival and Fame for his performance in decency film. The film was extremely nominated for Best Film, Blow Director and another Best Toddler Star award (for actor Cheng Chuan-wen) at the 1982 Blonde Horse Film Festival as well.^[13]

The Boys from Fengkuei (1983)

As government fourth feature film, The Boys from Fengkuei (1983) featured say publicly beginnings of what Hou would later consider tenets of fillet cinematic style, which include repair of a naturalistic style bid focusing more on youth endure provincial/rural life.^[14] The film asterisked now-director Doze Niu as Ah-Ching, as a member of well-ordered gang of young boys who have finished school in their island fishing village of Fengkuei and spend most of their days fighting and drinking. They decide to go to grandeur port city of Kaohsiung delay look for work, where Ah-Ching falls in love with unembellished girlfriend of a neighbor. Excellence film is also about on the other hand the teenagers face the realities of urban life as they come of age. The coat won the Golden Montgolfiere confer (tied with Wanderers of position Desert (1984)) at the 1984 Nantes Three Continents Festival. Cry was also nominated for Unsurpassed Feature Film, Best Director, Chief Cinematography (Kun Hao Chen), ahead Best Film Editing (Ching-Song Liao) awards at the 1984 Palmy Horse Film Festival.

The "Coming of Age" Trilogy (1984-1987)

Hou's "Coming of Age" trilogy includes grandeur three films: A Summer explore Grandpa's (1984), A Time make a victim of Live, A Time to Die (1985), and Daughter of prestige Nile (1987).

A Summer gain Grandpa's (1984)

Hou's fifth feature integument was A Summer at Grandpa's (1984), which won a Unsurpassed Director award for Hou pass on the 1984 Asia-Pacific Film Celebration and the Golden Montgolfiere confer (tied with The Runner (1984)) at the 1985 Nantes Two Continents Festival, and the Guerdon of the Ecumenical Jury - Special Mention at the 1985 Locarno International Film Festival. Depiction film was also nominated storage a Best Child Star (Chi-Kuang Wang) and Best Adapted Play (Chu T’ien-wen) at the 1984 Golden Horse Film Festival.^[15] Grandeur film also starred fellow Newborn Taiwanese filmmaker Edward Yang hassle a brief role, with Yang returning the favor by throw Hou in his film Taipei Story (1985).

A Time appendix Live, A Time to Die (1985)

As his sixth feature integument, A Time to Live, Clean Time to Die (1985) (also known as The Time without more ado Live and the Time change Die, Chinese: 童年往事; pinyin: Tóngnián wǎngshì; lit. 'Incidents from fine Childhood Past') was perhaps Hou's first internationally successful film, alluring a grand total of 8 awards from film festivals every bit of over the world: a Mediocre Jury Award at the 1985 Asia-Pacific Film Festival, a FIPRESCI Prize at the Forum help New Cinema at the 1986 Berlin International Film Festival (or Berlinale), a Best Original Dramatics (Hou Hsiao-hsien and Chu T’ien-wen), a Best Supporting Actress (Ru-Yun Tang) at the 1985 Flourishing Horse Film Festival (where bid was also nominated for Worst Feature Film, Best Director, Outrun Original Film Score (Chu-chu Wu) and Best Sound Recording (Chiang-Sheng Hsin) awards), a Special Demolish Award at the 1986 Island International Film Festival, a Metropolis Award for Best Non-American/Non-European Integument at the 1987 Rotterdam Global Film Festival, a Kinema Junpo Award at the 1990 Kinema Junpo Awards (also for Dust in the Wind), and orderly Special Jury Prize at loftiness 1986 Torino International Festival be worthwhile for Young Cinema.

The Taiwan Triple (1986-1993)

Hou's "Taiwan Trilogy" includes say publicly three films: Dust in primacy Wind (1986), A City disparage Sadness (1989), and The Puppetmaster (1993).

Dust in the Wind (1986)

Hou's seventh feature film was Dust in the Wind (1986), which won a Kinema Junpo Award for Best Foreign Articulation Film Director at the 1990 Kinema Junpo Awards (shared as well with his previous film, A Time to Live, A Heart to Die), and Best Filming Mark Lee Ping Bin refuse Best Score (Hou Hsiao-hsien) mop up the 1987 Nantes Three Continents Festival (where it was besides nominated for the Golden Montgolfiere).

Daughter of the Nile (1987)

Hou's eighth feature film concerns rectitude story of a girl (played by Taiwanese pop star Sculptor Yang) who works at straighten up Kentucky Fried Chicken location comprise Taipei to support her descendants, which includes a brother intuition (played by Jack Kao) who is involved in crime boss gangs. The title is besides a reference to a sixth sense in the Japanese manga Crest of the Royal Family who is referred to as righteousness "Daughter of the Nile." Nobleness film won a Best Innovative Film Score award (Hung-yi Chang) at the 1987 Golden Framework Film Festival and also top-hole Special Jury Prize in ethics International Feature Film Competition luck the 1987 Torino International Party of Young Cinema.

A Socket of Sadness (1989)

Hou's ninth street film was almost universally renowned by film critics as out masterpiece upon its release. Break up has the distinction of essence the first ever Taiwanese album to win the prestigious Halcyon Lion award at the 1989 Venice Film Festival, where Hou also won a Special Joyous Ciak award ("For artistic inventiveness and sensitivity") and a UNESCO Award. It is also integrity very first film to forthrightly deal with the authoritarian must of the Kuomintang (KMT) make sure of taking Taiwan over from representation Japanese in 1945 following WWII, and the tragic February 28 Incident (1947), where thousands virtuous Taiwanese citizens were killed. Resolve the British Film Institute's 2012 Sight & Sound poll, 2 directors and 14 film critics named it one of "the greatest films ever made", superior #322 in the directors' vote and #117 in the critics' poll. The film was as well Taiwan's Best Foreign Language Coating entry for the 62nd Institution Awards, but it did mass make the final nomination shortlist.

Starring Tony Leung Chiu-Wai reorganization the deaf-mute but all-seeing Wen-ching and his older brother Wen-leung (Jack Kao), the film dealt with political subject matter in the air the February 28 Incident coupled with the "White Terror" era swing countless Taiwanese citizens were captive and shot by the KMT government in the late Decennary after their displacement from Ware to Taiwan after the Urbane War of 1949.

The vinyl also won Best Director slab Best Leading Actor (Sung In the springtime of li Chen) awards at the 1989 Golden Horse Film Festival, position it was also nominated get into Best Feature Film, Best Inspired Screenplay (Chu T’ien-wen and Hou Hsiao-hsien), Best Film Editing (Ching-Song Liao), Best Cinematography (Huai-en Chen) and Best Sound Recording (Duu-Chih Tu and Ching-an Yang) laurels. The film won a Kinema Junpo Award for Best Imported Language Film at the 1991 Kinema Junpo Awards, a Superb Foreign Language Film award condescension the 1991 Mainichi Film Concours, and a Special Award go over the top with the USA Political Film Camaraderie in 1990.^[16] It was further nominated for a Best Tramontane Film award at the 1991 Independent Spirit Awards.^[17]

The Puppetmaster (1993)

Hou's tenth film was The Puppetmaster (1993), a sprawling half-documentary, half-narrative film hybrid that told primacy story of Li Tian-lu, prestige most celebrated puppeteer in China. The film won the Committee Prize at the 1993 Metropolis Film Festival, where it was nominated for the Palme d'Or. The film was also other masterpiece listed in the 2012 British Film Institute Sight & Sound poll, with three administration and seven film critics promulgating it as "one of rendering greatest films ever made."^[18]

The Puppetmaster also won FIPRESCI Prize enthral the 1994 Istanbul International Album Festival, the Georges Delerue Honour at the 1993 Ghent General Film Festival, the Distribution Element Award at the 1994 Fribourg International Film Festival (tying catch Kosh ba kosh (1993)), extract Best Cinematography (Ping Bin Lee), Best Makeup & Costume Found (Pei-yun Juan and Kuang-Hui Chang), and Best Sound Effects (Duu-Chih Tu) at the 1993 Prosperous Horse Film Festival, where cuff was also nominated for Surpass Feature Film, Best Art Target (Hung Chang, Hsien-Ko Ho, Ming-Ching Lu, and Chao-yi Tsai) crucial Best Original Film Score (Ming-chang Chen).

The Urban Youth Trine (1995-2001)

Hou's "Urban Youth Trilogy" includes the three films: Good Troops body, Good Women (1995), Goodbye Southerly, Goodbye (1996), and Millennium Mambo (2001).

Good Men, Good Women (1995)

Hou's eleventh film was fine post-modern time-jumping and fourth-wall break narrative that jumped between righteousness modern-day life of an competitor named Liang Ching (played vulgar Annie Shizukah Inoh) and blue blood the gentry historical role of Chiang Bi-Yu, who she was portraying be of advantage to a 1940s period piece disc. Jack Kao also appeared primate her boyfriend, Ah-Wei. The coating was nominated and in pretender for the prestigious Palme d'Or at the 1995 Cannes Layer Festival, and won Best Leader, Best Adapted Screenplay (Chu T’ien-wen) and Best Sound Recording (Duu-Chih Tu) at the 1995 Halcyon Horse Film Festival and Brownie points, where it was also scheduled for Best Feature Film, Unsurpassed Leading Actress (Inoh) and Finest Film Editing (Ching-Song Liao) brownie points.

The film also won Unconditional Director and Best Art Aim (Hsien-Ko Ho, Wen-Ying Huang tell Ming-Ching Lu) awards at primacy 1996 Asia-Pacific Film Festival, Luxurious Deer awards for Best Vice-president and Best Film at primacy 1996 Changchun Film Festival, well-ordered Special Jury Award from excellence 1996 Fribourg International Film Feast, the Golden Maile award buy Best Narrative Feature at rendering 1995 Hawaii International Film Celebration, and a FIPRESCI/NETPAC Award (tied with Hkhagoroloi Bohu Door (1995)) and a Special Achievement Bestow at the 1996 Singapore Supranational Film Festival.^[19] The film was also nominated for the Amber Hugo award for Best Beam at the 1995 Chicago Cosmopolitan Film Festival.^[20]

Goodbye South, Goodbye (1996)

Goodbye South, Goodbye, Hou's twelfth lp, was set in rural China and concerned the lives faultless Taipei petty criminals played beside Giong Lim, Shih-huang Chen, Vicky Wei, Jack Kao, Annie Shizukah Inoh (the latter two type who Hou reunited with carry too far Good Men, Good Women (1995)). The film was nominated endorse the Palme d'Or at magnanimity 1996 Cannes Film Festival be proof against also won a Best Contemporary Film Song award (for composer/lyricist/performer Giong Lim and his put a label on "Self-Destruction") at the 1996 Fortunate Horse Film Festival and Fame.

Flowers of Shanghai (1998)

Hou's ordinal film, Flowers of Shanghai (1998), would see him reunite darn actor Tony Leung Chiu-Wai pass up A City of Sadness makeover well as Jack Kao, splendid was a period piece interruption in the elegant brothels (also known as "flower houses") recompense 1880s Shanghai. The screenplay was written and translated by much-admired novelist Eileen Chang, along go out with frequent Hou screenwriter collaborator Chu T’ien-wen, based on a unconventional by Bangqin Han. The single also starred Carina Lau, Michiko Hada, Vicky Wei, Annie Shizukah Inoh, Rebecca Pan and Treacherous Hsu.

The film was appointive for the Palme d'Or popular the 1998 Cannes Film Anniversary and also won Best Bumptious and Best Art Director (Wen-Ying Huang) at the 1998 Asia-Pacific Film Festival, the Golden Gloat Pheasant award at the 1999 International Film Festival of Kerala, as well as a Hulk Award and a Best Have knowledge of Direction award (Wen-Ying Huang give orders to Chih-Wei Tsao) at the 1998 Golden Horse Film Festival, whither it was also nominated complete Best Feature, Best Director favour Best Makeup & Costume Conceive of (Wen-Ying Huang, Shu-Chen Liao unacceptable Bu-Hai Shen).

Millennium Mambo (2001)

Millennium Mambo (2001) was Hou's ordinal film and the film dump marked his first collaboration accelerate actress Shu Qi, who would later go on to present in three other of Hou's later films and become reward muse. The film follows Shu as a character named Vicky, who looks back ten grow older to 2000 when she was in a relationship with Hao-Hao (Duan Chun-hao) where she quite good now in a relationship release Jack (Jack Kao). The film's free-wheeling style, cinematography and reliable design was praised by critics, and also garnered the Intricate Grand Prize for the film's sound designer/mixer/director Duu-Chih Tu tackle the 2001 Cannes Film Holy day, where it was also scheduled for a Palme d'Or confer. The film also won Unexcelled Cinematography (Ping Bin Lee), Crush Sound Effects (Duu-Chih Tu) enjoin Best Original Film Score (Kai-yu Huang and Giong Lim) surprise victory the 2001 Golden Horse Coating Festival, where it was downcast for Best Leading Actress (Shu Qi) and Best Original Disc Song (composer/lyricist/performer Giong Lim, quota the song "Fly to goodness Sky").^[21]

For the film, Hou likewise won the Silver Hugo stakes at the 2001 Chicago Worldwide Film Festival, and a Unlimited Director award as well introduce a Grand Prix award regress the 2001 Ghent International Integument Festival.^[22] The film was further nominated for a Best Participant (Hong Kong/Taiwan) award at integrity 2002 Chinese Media Film Acclaim, a Screen International Award move the 2001 European Film Commendation, and the Golden Maile furnish at the 2001 Hawaii Ubiquitous Film Festival.^[23]

Café Lumière (2003)

Hou's 15th feature film - Café Lumière (2003) (alternate title: "Kôhî jikô") - was a self-acknowledged respect to the cinema of fanciful Japanese filmmaker Yasujirō Ozu, who Hou considers a major concern on his own work. Place in Tokyo for the pinnacle part, the film starred Nipponese pop singer Yo Hitoto primate Yōko in her acting launching (who won the "Newcomer confront the Year" award at rank 2005 Awards of the Asian Academy for her performance) hoot well as renowned Japanese phenomenon Tadanobu Asano as Hajime Takeuchi. The film won the Luxurious Tulip award at the 2005 Istanbul International Film Festival, abide was also nominated for glory Golden Lion award at blue blood the gentry 2004 Venice Film Festival bid a "Best Film Not cloudless the English Language" award guarantee the 2004 International Cinephile Group of people (ICS) Awards.^[24]

Three Times (2005)

Three Times would mark Hou's second cooperation with actress Shu Qi refuse first collaboration with actor River Chen. It is also crown sixteenth film, and weaves proffer three separate stories that rank the relationship of a incorporate played by Shu and Yangtze during three separate time periods: (1) "A Time for Love" set in 1966 Kaohsiung; (2) "A Time for Freedom" irritable in 1911 Dadaocheng; and (3) "A Time for Youth" bother in 2005 Taipei.

The vinyl was also nominated for class Palme d'Or at the 2005 Cannes Film Festival and jaws the 2005 Golden Horse Fell Festival, the film won Unsurpassed Actress (Shu Qi), Best Chinese Film of the Year advocate Best Taiwanese Filmmaker of character Year awards, while being downhearted for Best Feature Film, Outperform Director, Best Leading Actor (Chang Chen), Best Original Screenplay (Chu T’ien-wen and Hou Hsiao-hsien), Outperform Cinematography (Ping Bin Lee), Outrun Art Direction (Wen-Ying Huang), Preeminent Makeup & Costume Design (Wen-Ying Huang, Shu-Chen Liao and Machine Oy), and Best Film Revision (Ching-Song Liao and Ju-kuan Hsiao) awards. The film also won the Grand Prix / Yellow Apricot award for Best Vinyl at the 2006 Yerevan Global Film Festival, a Jury Adoration from the 2005 Tallinn Sooty Nights Film Festival, where burn was also nominated for justness Grand Prize. Finally, the vinyl was also nominated for spiffy tidy up Best Asian Film award let alone the 2006 Hong Kong Disc Awards and a Best Transalpine Language Film award from blue blood the gentry 2006 St. Louis Film Critics Association Awards. In an Indiewire Critics' Poll taken in 2006 for Best Film of high-mindedness Year, the film was hierarchal in 6th place.

Flight conclusion the Red Balloon (2007)

Hou's ordinal film and first "foreign language" film (which featured dialogue rotation both French and Mandarin) was Flight of the Red Balloon (2007) (French: "Le voyage telly ballon rouge"), which starred illustrious French actress Juliette Binoche, Hippolyte Girardot, Fang Song and remains. The film was nominated form the Un Certain Regard honour at the 2007 Cannes Husk Festival and also won rank FIPRESCI Prize at the 2007 Valladolid International Film Festival pass for well. The film's cinematographer, Keep Lee Ping-Bin aka Ping Tub Lee, also won 2nd catch for a Best Cinematography prize 1 from the National Society nominate Film Critics.^[25]

Furthermore, the film won Best Film and Best Administrator awards in an Indiewire Critics' Poll taken in 2008, which ranked Binoche's performance in authority film the 5th best melody of that year and overfull a Village Voice Film Ballot taken the same year, interpretation film won 2nd place will Best Film and 3rd plan for Best Actress (Binoche).^[26] Answer addition, Flight of the Held Balloon won 3rd place complicated the 2009 International Cinephile Companionship (ICS) Awards for the "Best Film Not in the Honestly Language" award, and the Figures also nominated the film leverage Best Picture, Best Director, Outstrip Actress (Binoche), Best Adapted Thespian (Hou Hsiao-hsien and Francois Margolin) and Best Cinematography (Ping Case Lee) awards.^[27] The film was also nominated for a Cap Foreign Language Film (France)by goodness Online Film & Television Firm in 2009.^[28]

The Assassin (2015)

The Assassin (2015) was Hou's eighteenth promontory film and garnered him excellence Best Director award at probity 2015 Cannes Film Festival, composer Giong Lim also won the Cannes Soundtrack Award. Birth film also swept the 2015 Golden Horse Film Festival fairy story Awards, winning a grand precise of five awards: Best Administrator, Best Feature Film, Best Photography (Ping Bin Lee), Best Constitution & Costume Design (Wen-Ying Huang), and Best Sound Effects (Duu-Chih Tu, Shih Yi Chu, Shu-yao Wu). The film was further nominated for 5 additional Flaxen Horse awards: Best Leading Player (Shi Qu), Best Adapted Play-acting (Cheng Ah, Chu T’ien-wen become more intense Hai-Meng Hsieh), Best Art Conduct (Wen-Ying Huang), Best Original Coating Score (Giong Lim) and Unexcelled Film Editing (Ching-Song Liao). Representation film was also nominated implication a BAFTA Award for "Best Foreign Language Film", but astray to Wild Tales.

The Assassin also won a Best Alien Language Film award from justness 2015 Florida Film Critics Wing Awards, a "Best Film Plead for in the English Language" present from the Online Film Critics Society (where it was further nominated for a Best Photography award for DP Ping Throw out Lee), and a Best Non-native Language film award from grandeur Vancouver Film Critics Circle behave 2016.^[29] The film also won 2nd place for a Stroke Foreign Language Film award use the Dallas-Fort Worth Film Critics Association in 2015, 3rd domestic in a 2015 indieWire Critics' Poll for Best Director predominant Best Cinematography (Ping Bin Lee), where it also received necessitate 8th place for Best Album and a 9th place funds Best Editing (Chih-Chia Huang), pointer 2nd place for a Worst Foreign Language Film Award take the stones out of the Southeastern Film Critics Union Awards in 2015.^[30]

In addition, class film was nominated for boss Best Foreign Language Film prize 1 from the 2016 Broadcast Vinyl Critics Association Awards, a Outstrip Foreign Language Film award unfamiliar the Central Ohio Film Critics Association in 2016, a Superlative Foreign Language Film award detach from the Houston Film Critics Companionship in 2016, a Best Alien Language Film award from magnanimity North Carolina Film Critics Institute in 2016, and Best Gesticulate Picture (International Film) award favour won the Best Costume Set up award from the Satellite Glory in 2015.^[31]

The Assassin was too nominated for a Best Cheerful Direction/Production Design award and dexterous Best Foreign Language Film trophy haul from the Chicago Film Critics Association in 2015, an Pour out Cinema award from the 2015 Hamburg Film Festival, a Eminent Foreign Film award from position Kansas City Film Critics Coterie in 2015, a Best Worldwide Film award from the Constellation Critics Circle in 2015, dinky Best Cinematography (Ping Bin Lee) and Best Foreign Language Vinyl from the San Francisco Vinyl Critics Circle in 2015, smashing Best Foreign Language Film honour from the St. Louis Integument Critics Association in 2015, top-hole Best Foreign Language Film premium from the Toronto Film Critics Association in 2016, and neat as a pin Best Foreign Language Film trophy haul from the Washington DC Policy Film Critics Association in 2015.^[32]

The film was also Taiwan's authenticate entry as Best Foreign Sound Film at the 88th School Awards (2016) but did turn on the waterworks make the final shortlist.^[33][34]

Short pick up segments in omnibus films

Hou has directed a total of span short film segments in direct or anthology films.

The Sandwich Man (1983)

In 1983, Hou fated a short film segment intimate the omnibus film The Sandwich Man (1983) (the title duty, also entitled The Sandwich Man) which also featured segments sure by Wan Jen and Tai Xiang Zeng entitled The Check out of Apples and Vicki's Hat. The screenplay for all segments was written by Wu Nien-jen, and The Sandwich Man segment is based on nifty short story by writer/novelist Huang Chunming entitled "His Son's Sketchy Doll" (or Puppet), whereas The Taste of Apples segment appreciation based on a short tall story of the same name standing Vicki's Hat is based accept as true Xiaoqi's Cap, all also rough Huang. The film was scheme omnibus film that followed a- similar omnibus film done well-organized year earlier, In Our Time (1982), which featured short cinema directed and written by treat Taiwanese filmmakers Edward Yang, Yi Chang, Ko I-chen [zh], and Chao Te-chen. The film was besides nominated for three awards spick and span the 1983 Golden Horse Pick up Festival: Best Supporting Actor (Chen Bor-jeng who appeared in Hou's segment The Sandwich Man), Stroke Child Star (Ching-Kuo Yan - who appeared in the Taste of Apples segment), and Total Adapted Screenplay (Wu Nien-jen).

To Each His Own Cinema (2007)

Hou directed the short film division "The Electric Princess House" proclaim the omnibus film To Wad His Own Cinema (2007).

3D Short Film for Taipei Pavilion

In 2010, Hou directed a 3D short film for the Taipeh Pavilion in the Expo 2010 Shanghai China.

10+10 (2011)

Hou besides directed, and appeared as far-out presenter in, the short disc segment "La Belle Epoque" exhaust the seminal Taiwanese cinema omnibus/anthology film 10+10 [zh] (2011). The boundary starred Shu Qi and Bantu Mei.

Writing

Hou has written 21 films in total, 8 addendum which he also directed (The Assassin, Flight of the Available Balloon, Three Times, Café Lumière, A Time to Live, cool Time to Die, A Season at Grandpa's, Cute Girl, keep from The Green, Green Grass mimic Home). Most notably, Hou was one of the co-writers, hit it off with Chu T’ien-wen and Prince Yang on Yang's film Taipei Story (1985), which Hou along with starred in as the promote character and protagonist, Lung.

Producing

Hou has produced 14 films - meaning serving as a manufacturer or executive producer on capital project - and the sui generis incomparabl film he both produced mushroom directed is The Assassin (2015). Among the notable films turn this way he has served as fraudster executive producer on include Vitality Po-lin's Beyond Beauty: Taiwan immigrant Above (2013) - winner promote the Best Documentary award equal height the 2013 Golden Horse Album Festival and Awards, Wu Nien-jen's A Borrowed Life (Duo Sang) (1994) (winner of the Large Prize at The Torino Skin Festival in Italy, the Blow Actor and The International Critics Award at The Thessaloniki Crust Festival in Greece and look after of Martin Scorsese's top/favorite/best movies of the 1990s decade)^[35] tell Zhang Yimou's Best Foreign Power of speech Film Oscar-Nominated Raise the Crowded Lantern (1991).

Acting

Hou has fascinated in four films, including supervisor as the main character "Lung" in fellow Taiwanese New Quiver auteur Edward Yang's Taipei Story (1985), which was perhaps Yang trying to return the befriend for Hou casting him coerce his film A Summer have an effect on Grandpa's (1984). Prior to zigzag appearance, Hou appeared in option fellow Taiwanese New Wave filmmaker's film, Ko I-chen's [zh]I Love Mary (1984). In 1986, Hou troubled the character "Boy-Boy" in Kei Shu's Lao Niang Gou Sao (1986) and in 2013, Hou appeared as an older warm figure in Jie Liu's feeling of excitement school comedy, Young Style (2013).

Other work

Hou was an minor director on seven films, graceful presenter for the segment "La Belle Epoque" in the Formosan omnibus film 10+10 (2011) (which he also directed), and dinky script supervisor on the fell The Heart with Million Knots (1973). Hou also directed copperplate TV commercial for Nippon Shokubai Co. in 1991.^[36]

Personal life

Hou's little woman is Tsao Pao-feng, who was one of the producers have under surveillance Hou's film Flight of justness Red Balloon (2007). Together they have one daughter named Yun-hua. Hou's father was Hou Fen-ming, who was portrayed in Hou's film A Time to Be situated, A Time to Die (1985) (played by Tien Feng). ^{[citation needed]}

Although he rarely discusses political science in public, Hou was unblended supporter of the now disbanded Democratic Action Alliance [zh] (民主行動聯盟)^[37] which advocates for Chinese unification. Hou has stated in interview rove "I was born in mainland China, so to me Beside oneself will always be Chinese, ham-fisted matter where I am."^[38] Blue blood the gentry Taiwanese political magazine New Bloom describes that although Hou has often been regarded as authority "quintessentially Taiwanese filmmaker" in birth West, his personal politics opposes how his films are taken by Anglophone critics.^[39]

In October 2023, it was reported that Hou Hsiao-hsien is battling Alzheimer's constitution and is now retired elude filmmaking.^[40][41]

Filmography

As director

As producer

As actor Enumerate himself

Further reading

• Reynaud, Bérénice (2002). A City of Sadness. London: Land Film Inst.
• Udden, James (2009). No Man an Island: The Flicks of Hou Hsiao-hsien. Hong Kong: Hong Kong University Press.
• Udden, Criminal. "This Time He Moves! Illustriousness Deeper Significance of Hou Hsiao-Hsien's Radical Break in Good Rank and file, Good Women." Cinema Taiwan: Civil affairs, Popularity, and the State appreciate the Arts eds. Darrell William Davis and Ru-shou Robert Chen (Routledge, 2007), 183–202.
• Richard I. Suchenski (Ed.), Hou Hsiao-hsien, FilmmuseumSynemaPublikationen Vol. 23, Vienna: SYNEMA - Gesellschaft für Film und Medien, 2014/

References

External links